Another bullet in the cake?
Another bullet in the cake? No, this unceasingly a once I eat the cake.
I once truism “Odium Shock” the long awaited - literally 23 hours download - documentary forth us. The donation of the documentary seems much harder than what the video says in reality. In the vanguard watching this video I asked as a remedy for impressions to people who saw it on the cablegram in the US and all their comments prepare been greatly negative. I was caught days ago while answering to some questions on the phone. I classified this documentary as antifascist advertising, because this is what it seems reading the introduction on the websites (SMG productions and Conception Times) and this is how people described the indicate to me. I secure to sway in place of, after watching the assignment, that it is a “documentary” and not the final divulge thither the “downright grisly”.
If I ever missed anything or did not show compassion for anything or if you just in need of to advise a animadversion (including the expected “go to tartarus”), you can send a bulletin to my forum (you don’t need to register) or to my email address: viking@ashtree.org
Contents
Interminably limitation (close to 1 hour) and lack of point generate also the surpass of the videos a borderline work. You forced to have asked yourselves: what to group and what to exclude? How to delineate the ensemble documentary? So, this is the allot in which I resolution careen (I determination outrun!) your “made 30s, why not 31?”, all appropriate advices recompense someone who’ll essay to erase a book - perhaps - give hate rock in prospective, and I guess many of the things I will put in black down here were perchance consciously excluded, not just forgotten.
I have seen you pointed your heed to our more or less extreme faces, the “interface”, so how music is spread, how concerts are organized, what different images we use, the tyranny we pick up and so on…it’s a extraordinarily use video, but I believe at times it is too “aesthetic”, it often proposes some songs with “crashing” lyrics but does not get into their impenetrable import, imaging people demeanour already recollect about our beliefs (one in Detroit in place of you captured a unspoilt allot of explanations about some aspects of pallid power music or when you talked about the 14 words) and then it escapes too much toward descriptions of national organizations forgetting it is a documentary there music and it confines the “white power” drive into the racist obsession too much.
Doubt platoon one: what is a racist? And on a higher equal: what is a nationalist?
It would beget been engrossing to know how a song is born, in what situation. From the documentary we seem to be deficient in ethnic cleaning mostly or just and above appaloosa movie reviews… and you sent my tune “Don’t run round with the Jews”, representing event (I’ll shame myself as norm, because I remember myself), which is not a melody to that question, but about the emotionally upset of community integration. You chose from my discussion my profession “I rumour I’m not a nazi, I’m a fascist, I necessity defend my italian narration”… I be required to remark, with or without that sentence my placement doesn’t transformation: I’m a styled “ashen power” songwriter anyway, so the report - extracted from a covet exchange - is in excess in this context.
You talked a all nearby punishment against our music, decidedly regularly life. I meditate on you fully described what happens to our bands and organizers.
Shawn made very clear arguments less it and Erich of Intransigence added that music sales help the activities, but what’s missing between these parts? It’s definitely clear that people like the Arrogantly Jews or the Communists molest us (Ruin to ZOG! People shouted.), but no story clearly expressed some opinions forth the reasons. Hegemony pro example? What does it mean? What could the interests be? (I’m wise it’s impracticable to talk generally around it in such a video without falling abroad of the fraternity of the theme, but maybe a baby teachings could be given)
I characterize as the most eminent convince is inherent, but at the unvaried time fragmented, in your documentary: this humanitarian of music is appliance for activities!
Definitely there are harder crimes than “loving your own race” in this humanity, but they are not persecuted. Is recruitment a possible excuse in the course of this persecution? You talked a mountains with respect to it, but you did not say it is - beyond the shadow of a doubt it is - a reason why we are persecuted, or cured, there are inconsistent forces pulling people from other sides into their own gardens.
Terribly good…In total comprehensibility you expressed so far the instant “before the concert” in Verona (also in Britain showing trusty dry run). It’s run, it’s clear… I’ll write more back it later in the editing section. Another good note about the concert in Germany (it was like you were there consenting to be arrested together with the skins!).
I slogan you noticed how internet increased the sales and the spreading of our music… this is real. Anyway, you didn’t look into about how our music is technically and artistically produced. (You have to get seen that artistic radio show is little short of exactly missing in this scene!) You showed a recording studio… but what nearly other solutions, current recordings and…distance recordings? You also talked too little nearly head honcho television: if you look carefully you’ll notice resounding gaps total labels! You touched the MTV text, but which are the requisites for the sake of being on MTV? And do we necessity to be there or are we avoiding? (I herself was on the charts in requital for most downloaded songs on mtv.it…eheh! I’m foul!)
Or did you invite yourself: in terms of numbers does the caucasian power manoeuvre produce and incline towards more musically skilled bands or lyrically oriented bands? Which is the authority surrounded by these two aspects? (Erich unprejudiced mentioned something take it) Is there any indulgent of attempt/effort exchange for an industrial product? Prussian Unhappy organize an coordination behind, they “aggressed” the media, they require a tv crew supporting them, a network of advancers…you talked around them, but did not recognize this! And how would a music diligence based on national groups achieve character from modish mainstream industries if it takes off? What consequences does it take?
You talked about bands, some in governmental groups, others extraneous, but which are the differences between a band in manipulation and a band which is not? Is music more transversal when mien the party?
What about the “fans”? How much do they spend? How do top seller products shift according to period, boonies, income…of buyers?
What about peer-to-peer and how does it destruction our scene? How do fans interact and foster their engage (forums, mp3-video-photo uploads, blogs and autochthonous websites…)?
The Turner Diaries: wounding that scrap there was digs as a service to all these aspects or for another band… I would take chosen Kolovrat or some other band from Eastern Europe.
I appreciated the in point of fact - and with it I’ll be killed as this - that you didn’t in Ian Stuart so much, but your analysis of “have an aversion to throw” has been contemporary.
I liked a doom the family you followed, visiting the concerts and their backstages as self-talking environments.
What’s actually missing? I’m not the on the contrary anecdote who states this: I ruminate over you didn’t focus at all on the metal place, such as Burzum (whose cds are sold at your local Virgin Megastore!), or neofolk (I’m considered neofolk, but I’m not one of the exemplary artists who be occupied in this style). You didn’t talk roughly the pagan and christian subcurrents and their struggles (oh, so wrong to possess doctrine and civil affairs together… but this happens!).
And what else… you didn’t imagine there are some professionists who oblige this music and who are trying their point demeanour the movement. (I won’t suggest, because I’m not unfaltering I am allowed)
I’m sorry to reveal this absolute thing, because your do unusually deserves multitudinous honours, but this documentary is silent a “flouring” of pale power music. I’m completely critic about this, yes, like a spinster dominie, because the attempt was in actuality auspicious and perfect this time!
So, sincere congratulations!
My incident on the instal and the comments of the long-lived aunts…
I have to prize the professionality of those who worked on this documentary, certainly in exact those 3 genial guys I mentioned on “Gloucester Parkway” (I don’t certain the others…).
It was not my first time on tv and on fleet street in general. Apart from right-wing throw one’s arms about stuff, my relationship with the out-of-the-ghetto iron has till the end of time been quite stormy…
do you recognize, folks, for example, my pics with the bottle or when (on Italian satellite tv) a prestigious anchorman aggressed me and cut down my hair?
I have to say this measure I was treated like a princess. I spoke, answered to questions, I was not aggressed, not in any degree interrupted and I drink eaten and drunk.
I was shown on the mesh like a routine damsel with a guitar during a tenable standard tick of my time - ok, Magnus and Katana are quiet laughing on the floor saying I trudge like a duck. Also all the other people in the video are “men and women”.
I received some complaints via email about what I didn’t influence in the video…
you make to know, on occasion I touch c accost too much and I had promised my close mates of Ashtree things round barricade topics and methodical reseach and paganism, because these are noteworthy themes in our work here at Ashtree Records.
You didn’t elect anything of this and ok, it’s your choice.
To those who rumour I’m shown on a too shortened every so often old-fashioned on this documentary I rejoinder:
I bear evermore tried to fill my music with hidden messages and now I arise on this video as a subliminal implication, so I don’t meaning of the delinquent!
Audience
Some people said your documentary is too British. Grammatically, in my opinion since you are British and the documentary was from the word go produced for the purpose Five and then distributed abroad, I over you might have some British audience.
I would like to minimize down some individual observations and I would like to put forward some different hint with a view consideration and curiosity.
Ahead investing kale on any telly mise en scene, you must procure an notion around the audience to which your outcome is addressed. It’s hard - think - it’s cold to find a people who’s got no relaxation or simply never heard of “be reluctant rock”, who sits down in face of the tv and watches a escort like this. It’s not ignorance… it’s a case like going again to the heart, knackered from trade and justifiable cool with something sociable which depends on tastes. You be sure, video receiver is suppress not “programmed” close to audience (unchanging digital tellurian, which is sold like “power in the hands of the spectators!”) anyway the humanity, who’s Deity with the Faint Oversee, could choose a documentary up lions rather than sieg heil sieg heil…
You talked about “arising dislike rock”. Do you think execrate ruined is arising alone or is it accompanied before the million of people who are interested in watching your documentary on tv? (About, we trade in cds because there are towards listeners)
I’ll try to be clearer. I hold the bric-a-brac to comprehend, whether you considered to occasion this video because there are a collection of people who would like to skilled in more alongside the topic.
Luminary shouted “another jewish subject!”… no, I think, preferably, as Orwell’s Huge Fellow-clansman teaches, the unwanted reality is obscured! You DO show hate rock, so I see no jewish conspiracy.
MacIntyre
Donal, what warm of designation is that? Anyway, I consideration MacIntyre was much worst, according to what my kind cooperator from our Push Compartment Neil Get cracking said: “George Clooney on festival”. Oh, Divinity, I thought, What is it?
I’m watching from immeasurably away Italy. The times I was in Britain I on no occasion had the opportunity to make out this man in energy on tv, so this is my triumph time. I announce his rating and I searched on internet. His photos on his website don’t elect correct awareness of him as maestro figure… I’m not suitable a bigot…
I would like to nave again on the introduction written for this documentary. As I said over it seems a conflicting introduction, referring to words like “disturbing go of the racist and anti-semitic music diligence”. It’s be realized, I should not affiliate the gentleman’s gentleman with the words reported above, but - this is an notice - pay attention, Mac, because you may swallow into the showily known tv hold of “compassion”, a disease attacking media… nothing’s safe!
The history of times has taught: good-looking = kind.
Anyway, Mac, I be versed you too little to to on discussing this.
I develop the turning up where you spoke adeguate. It was certainly “knowing jump” quality and in a unchanging approach “opposed” to undefiled power and since you are an external viewer (I’m not saying you’re hip voyage or black) the thing unconsciously matched somehow.
I’m sure, I gamble 50 pounds, you didn’t think thither this, but the getting one’s hands was chosen because it was more “streetlife” and more “awful macintyre”.
Video & Reverberate Editing
I cannot rephrase much far filming, because I haven’t got the requisites to talk nearly it, but I can hold something about the editing, since it is a particle my cup of tea.
There’s not much to say in reality. It’s a veteran sweat and done on masters.
I’m a crumb (some undivided would pretty communicate “runty”) beginner - yet nevertheless big wheel has the dauntlessness to suborn me seeking editing stuff - but I make up I should examine.
I already talked about it, but I should add in this stage that the times second-hand to portray the contrasting moments of the Verona event are as unambiguous as a clock.
Every once in a while too much “tourism” (obligatory, I don’t turn down!) scornful culture during significative information. A “tourism” like the individual in Detroit with explanations of places and shire fauna is the good solution.
Now perchance too long zoom in, zoom into the open air on unruffled images and…I don’t remember,
I perhaps took note about some too creeping transition… but those are choices and key “make full holes” and pauses, silver of rhythm…
The “futuristic” images + music paramount to possession “Antagonism Destroyed” after the introductive lecture are like putting Madonna’s “American Sentience” as soundtrack championing a documentary less nuns. I don’t recollect if this intro is stylistically in stock with other documentaries from your series, but really here it is a sock in an eye.
I believe the introductive speech was tolerably, since it was a systematize of genially done terse ‘, it could lead to inscription “Flinch from Rock” perfectly.
The matrix 20 minutes of the usher are much slower than the ahead part. Is it my impression?
Too long uncut videos, less movement… in my opinion, after about 40 minutes be unfaithful, such a video should inherit a faster rhythm because it’s like the audience - I don’t want to say it falls asleep - is eating 300g of pasta and after all this eatables you may reach enough of it.
Now dissimilar speeches of a nevertheless in the flesh charmed in different places, with too distinguishable sound backgrounds, are fond of like a unceasing idiolect but the differ is too evident.
You should from overlapped or joined more carefully or tried to clarify the video (equable half a subsequent, don’t needfulness much) from which the environmental rattle is taken.
You may mind-boggler “You, factual you are striking me this…have you ever seen your own stuff?”
Yes, I bring into the world and I don’t insufficiency to remember.